Thursday, April 30, 2009

Taking The Stairs

A Slinky was hanging around the top of some stairs. The future looked mighty bright to the Slinky, though the nights were still dark nonetheless. Right next to the Slinky there were these two magnets, never mind motifs, and these two magnets didn’t like each other. Who knows why they didn’t? They just didn’t. But they were inexorably attracted to each other too. That’s obvious. They were magnets after all, and everyone knows that magnets can’t help but be attracted to each other, at least on one side. When it comes to sidedness, at least magnets have one side where they can’t help but get along. The other side, well, that’s a different story. These magnets, well, they both tolerated the uncertainty of what was going to occur between them. They had to. There was nothing else to be done. Getting angry about this sidedness issue wouldn’t do any good. Being sad about the whole attraction/repulsion thing would obviously come to nothing. So, they went on hating each other and being inexorably attracted to each other also. One of the magnets tried to get the other magnet to hang around on just one side of it, but that other magnet kept turning itself around so that it was repulsed by that side. Then the first magnet, who was trying to keep the other magnet on its good side, would turn around so that it would be attracted to the side of the other magnet which was now turned towards it. But, without fail, that other magnet would somehow find itself just turned around again and, without any mens rea for its actions, unintentionally fleeing the scene. Chronically dissatisfied with all there was in the world around them, the two magnets decided not to fight against it anymore, and they jumped off together from the railing of the stairs. They weren’t wearing parachutes. It was a long ways down. Let’s just say things didn’t end well that day. The future was dim, the days grew just as dark at the nights, and the Slinky tumbled its way down the stairs.         

 

Friday, April 24, 2009

The Genius Of The Tree's Leaves Baffles The Wind

skylarking isn’t something you just think about doing (while you’re doing it) you would never think of the word frolic to describe your activities either (so here’s the fucking rub) nothing to it because you don’t have to think (not about what you’re doing while you’re doing it) it just is (so if liking is to jelly what hating is to roll then you will not ever know) besides it is always more profound to not have to just say hi or to do the doing without the trying (muddy spikes and spitballs have less to do with each other than they have in common with the weather) jesus makes it plain and simply circles (crimping the style of a crooner reeks of remorse when the commonest thing to excoriate is some hectoring do-gooder god disabusing the good of bad notions) rapt and at attention (facts besides themselves are just that) spiriting away what is left of one into crackerjack boxes and molehills (needles needlessly scratching sun-scorched skin) the whole fucking trinity slammed on the brakes before the god machine slammed into the derangement of the cold hard facts’ brick wall (you wouldn’t say keepsakes in conversation but instead something about tchotchkes or knickknacks or clutter or emptiness taking up space even might come up) o’er yonder ‘neath steely skies the color of changing channels crept unwillingness to hide below loss (push out and on to shove before beneath becomes above) wisteria doesn’t always get a chance to climb (bow out before begin and want will always win) mankind tips the scales at adore (potato chips are left feeling misunderstood) just don’t think about it (okay) while the humming brush of the commuter rush distills loneliness like sun through a skylight (got it) make plans and do without (breathing and getting lumps out of the throat) turn your coat inside out and watch flowers grow and keep a small flask of whiskey in your breast pocket (catch a cold and throw it back) the spilled drops of who you were might make a puddle soon and if god should happen by a shoe might get wet with a step or a splash might forget what is missing (still a screen will save itself from going quite mad) and don’t try on oblivion for size too soon (fight back while you can) if the gate is open walk on by until it locks itself and then try to break in (the kids will make for better astronauts than foot soldiers in your war) copy a cat’s style (the mens rea of praying kills more men than bombs) happen upon a way to do that suits only you (care) but not if you have to (skylarking the whole while)

Saturday, April 11, 2009

The Dilemma of Artie Brill

The thing about not getting a fortune cookie at the end of a meal in a Chinese restaurant, if you really don’t want one, that is as far not getting a fortune cookie is concerned, well then, I mean the thing about having to actually ask the server, who may not completely understand you, who may not have English like mastered, let’s just say that the guy wouldn’t list English as his first language, if he had to do so, if he had to make a list, let’s just say English wouldn’t be first on that list, whatever that list would be, so it might be hard, and often times is difficult, to get the waiter, who is not really very used to this kind of a request, he probably doesn’t get these kinds of requests often, regarding the fortune cookie preemptively being un-asked for by a diner, and so will not be expecting this type of request, even if the whole language-barrier thing isn’t insurmountable, if the whole language-barrier is not such a big deal, if it doesn’t even come into play, it still might be difficult to get the point across about not wanting the fortune cookie, to make the festinate waiter, who will most likely be trying to do more than a few things at once, who will most likely be doing his best to not spend more time than he absolutely has to with the diner, to make that harried waiter see, when it comes to the fortune cookie, the thing about the fortune cookie is, is that it is not wanted at all, that there will be no need for a fortune cookie, thank you, no, that will be all, though asking for the check, because the fortune cookie will usually come with the check, is not an answer to this problem, to the problem concerning the not-getting of the fortune cookie, so when it comes to asking for the check you might as well just forget about, concerning asking for the check, better not, just leave it alone when it comes to getting the check, the check will be brought, most likely sooner than it is wanted, so there is nothing you can do about getting the check, and so this here, this getting the check maybe even before the meal is done, it might add a wrinkle to the not-getting-the-fortune-cookie thing, because the diner is like, you know, going to have try to finagle their way into not getting the fortune cookie rather early in the meal, the diner is going to have to be real careful not to wait too long to make the request, as far as not getting the fortune cookie, though asking too early in the meal might also add to the risk of the busy and rushing-around waiter forgetting about the diner not wanting the fortune cookie, that is if the diner has not only asked but also gotten across clearly about the not wanting of the fortune cookie at the end of the meal to the waiter, all I’m saying is that it’s still possible, and pretty damn likely all things considered, that the waiter might happen to forget in all his haste about the diner’s request to not partake in the traditional eating of the fortune cookie after the meal.

 Now, you might be wondering, why would a diner at a Chinese restaurant not want to have a fortune cookie served to them after a meal? Well, there are numerous reason, but the one I’m concerned with here, as I do not have an out-and-out aversion to fortune cookies, as far as liking or not liking the actual taste or texture of the fortune cookie itself, as far as having an affinity or a dislike for fortune cookies is concerned. I am not siding totally with those in the camp of liking fortune cookies, nor am I pitching my tent over on the fortune-cookie-haters side. There just happen to be times when after finishing a meal of almond chicken with fried rice, or a plate of beef and broccoli with chow mien, when I just do not feel like eating a fortune cookie. It is not that I don’t like looking at the fortune inside. In fact, I like looking at the fortune inside, the one written on that tiny slip of white paper, the paper the looks ridiculous in your hand because it is so tiny. When it comes to looking at the actual fortune written on the tiny slip of white paper, well, that is something that you might even say I like too much. Looking at the fortune can be a compulsion with me. I don’t like to give in to this compulsion. It is something I try not to do. I don’t need any encouragement when it comes to believing in omens. When it comes to predicting my own future, well, let’s just say I don’t want to know too much about it. Sometimes when I get a fortune cookie, even though I have tried to ask to not have one given to me, and have failed, as often happens to happen with me, I will put said fortune cookie in my jacket pocket, so as not to seem rude or ungrateful for this small token of appreciation. It is when I forget that the cookie is there in my pocket that it becomes something that could be considered not so good of a thing to have happened to me. Having cookie crumbs in my pocket does not make me happy. You could say that I am very displeased with having cookie crumbs in my jacket pocket. If I put the fortune cookie in my pocket, having restrained myself from breaking it open to read the fortune written on the tiny slip of white paper inside, I usually will forget that it is there because really there is nothing else I can do with it, besides throw it away, or break it open to read the fortune, which I do not want to do, which I am at the time probably very proud of myself for not having done yet, but I do not want the fortune cookie to go to waste, and if it is an unwrapped fortune cookie, as many fortune cookies are unwrapped in Chinese restaurants, though you still get some that come wrapped in plastic, but if it is an unwrapped one then it is a hard item to give away. Try giving away an unwrapped fortune cookie to a stranger. It will not be an easy task, let me tell you. Nobody will want it. Just your attempt to give it away will be awkward and probably scoffed at. So, I often end up with fortune cookie crumbs in my jacket pocket after eating at a Chinese restaurant, and you could never say of me, hey, there’s a guy who goes fortune cookie hunting. That is not something that would be accurately applied to me, the going of fortune cookie hunting. That is not something that I would do.







Ontological Boilerplate

I am nothing
I am no one
I do not matter

So the newspaper says,
“The aluminum spandrels with their accordion-like zigzags were dulled by car exhaust.”
just around the corner begin was engineering a coup d'état to overthrow the end
but the pigeons weren’t taking sides just yet
like a strand of alfalfa in the hair
or a chipped-off piece of rebar rust lying in the gutter
some things make for shitty bedfellows

I am nothing
I am no one
I do not matter

take a survey and tell them where to put the new bathrooms in the park
take your time
bite your lower lip while scratching your head
get a dollar and a dream and be ready to flee at any moment
there are not pockmarks in the rubble

I am nothing
I am no one
I do not matter

fistulas and runnels and rivulets and fault lines and mohair suits
uncle Charlie spits at switch hitters
carry yourself away
but don’t get too caught up in the tide of things
become a cliffhanger instead

I am nothing
I am no one
I do not matter

a gadabout slowly circling the fire of consumerism aglow with the flames of hope
giddy bellhops and overrated ticket-takers
and the swell stink of sinking hearts
staying put to get away

I am nothing
I am no one
I do not matter

on a par with smoking a whole pack of Parliament Lights before supper
a cumbersome coat of nervousness lined with anxiety
placating the grogginess of being with bored yawns
upsetting the institutions of motion with the confetti of ideas
about or just about like eating after-dinner mints for breakfast
the final greatness of being wishful

I am nothing
I am no one
I do not matter

pinched fabric in the nerves of needles
that time of day when the sun starts melting and flowers start folding up shop
one-hitters
safety nets
and the brake lights flash

I am nothing
I am no one
I do not matter

the subtleties of breakdancing on blond-brick parkways
inquisitions of stop-and-go traffic
plagiarized vulgarity being shouted from rooftops of insurrection
a game of keepaway

I am nothing
I am no one
I do not matter

before the commercials started there was a point when the heightening of the dramatic tension became almost unbearable if not unendurable and we held hands then at this point because it wasn’t too good to be alone just then or it at least didn’t seem like it but then a commercial came on and we released hands forever losing something which we never knew we had had in the first place

I am nothing
I am no one
I do not matter

the light from the light bulb creeps
there is usually nothing unusual about wrapping presents in wrapping paper
seesaws work best with others
when it is not true that one might pay dearly for cheap labor
then the horses can all go out to pasture
as far as the horses are concerned
leave a trail behind so you will know why you’ve been apprehended

I am nothing
I am no one
I do not matter

listen
chances are that you are missing something
be dire and be insecure if you must
cup a hand behind an ear
reinvent yourself with irrelevance
but most importantly
listen

I am nothing

take my word for it

I am no one

don't behave yourself

I do not matter

be constantly aware that you are alive

Tuesday, March 31, 2009

Capricorn One Plus Me

trying to ferret out the irks of working too much
like my head is aboard Capricorn One
a thumbnail of sunlight on a crumpled paper bag
the surface of Mars
cigarette ash ground into the carpet

hello

so there’s this guy, see, who takes a trip to see the sights, you know, he has a real good time, anyway, he decides to call his brother, see, and, well, he asks his brother, how’s everything at home, and his brother says, the cat died, and the guy says, you shouldn’t tell me bad news like that, you know, not like that, you should tell me something like, well, something like the cat crawled out on the roof chasing some mice, and we had to call the fire department, and when the firemen went up to get the cat, well, the cat slipped and fell to the ground, see, and we had to take the cat to the vet, and they were going to operate on the cat, you know, but it was too late, they couldn’t save the cat, that’s how you should break bad news, like that, see, so the guy says to his brother, how’s mom, and the brother says she’s on the roof

mottled stains and the desert’s red rock
a funeral under an elm
the gravity of slow motion and sleep and goldbricking
patience and a weak-kneed resistance to trying
and the filamentous flowing of the thoughts of free-thinking beings
ex tempore
a lot of going and not much coming back

this is she

and he banks it in, he’s eating up rebounds, and we’re tied at 53, approaching the 6-minute mark, he’s burning up the nets tonight, they’ll reshuffle, reset the offense, he’s got to hurry, clock shot winding down, they’ve gone stagnant, and here we go, it’s the hard-nosed point guard from Chicago, baseline, all alone, good, he knocks it down, 56-53, and we’ve got 4:40 to play, second half, and he’s really banging the boards out there, he takes it to the bucket, oh my goodness, what a finger roll, and he gets up limping, we’ve got a couple of guys limping, it may be momentary because when he gets back in the flow, forget about it, you can tell he played a little football, look at that body, they’re clinging arms on the bench, and we’ve got a timeout with just under four minutes to go

no

shallow crescent-like indentations form like cups to catch the rain
humps and hounding shadows
a scow rived in twain
likewise
try not to flinch
when the cops hogtie you and drag you from your home

It’s the sleeping pills. At first, maybe, you just take one now and again, maybe when you get that feeling, that busy-brain feeling, when the lights on your neural pathway all stay green for too long. So you take one, and you sleep pretty well, and you’re groggy in the morning, but after a cup of coffee you actually feel pretty damn refreshed, even energized and filled with an unusual amount of pep and vim, and sure, maybe some vigor too. Those things usually go together. You know, like peas and pods and those kinds of things. Stupid things like that. Really stupid things. But then the next night you get worried that maybe you won’t be able to sleep, you know, because you took that pill the last night to sleep, and now your body is a bit more dependent on the chemicals the pill gives it to regulate its diurnal cycle properly, and you start thinking about circadian rhythms and melatonin and hypnagogic states, and then the worry starts in, you know, when you are pretty much convincing yourself that sleep will never come, and you start checking the red digits on your clock over and over as they blink away in the dark, and you think about how much time you have until the alarm goes off, counting down the hours, and you turn over and change positions and try to breathe slowly and not think about anything, which only makes you think more, and you start thinking about how hard it is not to think about anything, which leads you in vicious circles of meandering muddled craziness, and time flies but you are not having any fun. So, you give up at some point. You take another pill. And at some point your alarm beeps and beats you awake, but you are even groggier this time, and you think, God, what an idiot I am, why didn’t I just take that pill earlier. I could’ve got a decent night’s sleep and I wouldn’t be so damn tired right now. Then the next night it’s worse, because you are beyond tired, a zombie, a slab of flesh, and you are worn out and your nerves are frayed and you want nothing more than to just sleep and sleep for a long time, for as long as you possibly can. But, you know that if you fall asleep too early you’ll wake up at some stupid time like 3:13 am, and you won’t be able to fall back asleep. You’ll just lie there and listen to your heart beating, and thinking about stupid things, and doing stupid things, and feeling really tired but wide awake at the same time. So, now there are two options. You fall asleep early, and then when you do wake up in the middle of the night, you take a sleeping pill and fall back to sleep. That plan sounds like the best. The other option of staying up until bedtime, and then forcing yourself to fall asleep naturally because you are overtired, seems like a more risky alternative. You do not want to take the chance on staying up and then having your body readjust and start to think it’s morning, rendering you a million miles from dreamland once again, but still overwhelmingly fatigued. The nap plan doesn’t work though. You are barely able to get into the beginning of an oneiric episode when a car alarm goes off outside your window. After that, there’s no way sleep’s a coming. But you are still too sluggish to get up out of bed, so you just lie there and stare around at the shadows growing all over, as the sun paints the walls in pinkish hues, and you can feel sleep moving further away. At some point you finally crawl out of bed, feeling like a real piece of shit for wasting away your evening in this catatonic state, and you stumble through the darkness to find the bathroom, because you’ve really got to take a leak, and you trip over your shoes and stub your toe on something and bitch and moan and call yourself an idiot as the night starts berating you through the window. You close the blinds. You turn on the TV. You sit up in bed and watch whatever comes on. You reach in the bedside table’s drawer. You take out the small amber bottle of pills. You fill your mouth with spit. You take one. You take another one. They go down easy, those white and green oblong capsules. They slide right down. You feel triumphant. Finally you’ve won a battle in this war. You will sleep for a long, long time. Everything will be just rosy tomorrow. Tomorrow all will be soft wind and roses. Life will stand tall and free again.

birchbark boats headed north
clipped river saps drowsy on the sun-baked horizon
coupling insects
sticks hitching stray weeds to the shore
an upset canoe’s hull caught on a sandbar
a jarring flex of side-winding wind

picturing circles overlapping in a blue-back world of likes and loves and less than that too when things are restless and running away and diminishing and dizzying while broken old scalene triangles swing from acute to obtuse and lose their appeal and hexagons die alone in the street without a sound and she’s still wearing his ring and the telephone wires are strung with shoes and the lawnmowers have all gone out of tune and you’re painting the room with rectangles and polyhedrons and the bow has lost the arrow and the camera has lost its film and the husband has lost his wife and the moon has lost its way among the stars after having a cross-eyed dream of what it means to be in love with the sky

sure enough

élan comes and goes
sure it does
it does
in a recherché way
it can stay
this is just to say
enough
surely is
enough

the way the two sides of the building come together at the top the way they meet at the angle that they do up there just below where I am looking into the smoky blue behind the sign on the top of the building just above where those sides meet at that angle there it reminds me of something makes me feel something that is nice and easy and windy and effortless the kind of the thing that is drowsy like the sound of an airplane in the distance and it is more pleasant than I’ve felt in a long time and I start to remember an April morning maybe ten years ago and the way I felt then that was like this feeling but it was almost triumphant then and now it is just empty

he lived in a small apartment next to another small apartment in which lived a girl whom he had fallen madly in love with though he had never really talked to her much except to say hi and how’s it going and that kind of stuff. but he was madly in love with her. he was in love with her laugh the most of all. it may have been the most salient thing he could think of about her that had actually led him from liking to wanting to like-loving to falling madly in love with her. he would often hear her laughing through the thin wall between their apartments while she was talking on the phone or when she had friends over who were making her laugh. he loved hearing her laugh. it made him want to make her laugh but he never had. he wasn’t good at telling jokes and he got nervous whenever he was around her which made him not be able to think of things to say besides a breathy kind of hi and how’s it going kind of thing. he figured the girl probably wasn’t very impressed by this. he wouldn’t spy on her but it was hard for him not to kind of notice things that she was doing like the sounds she was making whether it was washing dishes or dropping what sounded like large objects on the floor or listening to music. if he happened to hear a song coming from her apartment that was a song that he liked he would start imagining what it would be like to be listening to that song with her and would fantasize about them lying in the dark wrapped up in post-coital bliss on his bed together listening to that song. sometimes he even imagined them to be smoking cigarettes too. so it was that he came to have this idea of who she was based on what he could glean from his imagined forays into her world and the wire-tapping-type way he had of observing her private life. to him she was someone who she may not really have been at all. he imagined that somehow they would fall madly in love with each other at some point. or that she would fall madly in love with him. for he was already madly in love with her. he would construct elaborate scenarios where they would cook dinner at one of their apartments and then go over to the other person’s apartment to eat while they watched Humphrey Bogart movies and said all the best lines together. silly stuff like that. most of all he just wanted to make her laugh. he dreamed of how they’d eventually knock down the wall that separated their apartments and thought of how they would pound it down with sledgehammers and how they’d wear face masks and thick gloves and would laugh at all the rubble of drywall and wood boards tumbling down in a heap. it would be fun. but he couldn’t figure out how they’d haul all of the rubble away or how they would get permission from the landlord for this or why in the hell they’d want to do this in the first place because wouldn’t he want his privacy and wouldn’t she need her space too and the apartments didn’t really fit together well because her kitchen wall would be gone and where would he put his tv and then he started thinking this is stupid why the hell do I put up with this shit from other people and she probably will try to change me and make me do things that I don’t want to do and she’ll cry and try to get her way and I’ll have to pay for things when we go out and I’ll have to get her presents on the holidays and they’ll never be just what she wants and her parents probably won’t like me and maybe her friends and I won’t get along and how the hell did I ever end up in this goddamn relationship tied down god I just want to be free to do my own thing and I’m so sick of you laughing all the time why the hell are you always bothering me for fuck’s sake just get the hell out of my life and leave me the fuck alone.

we are heartless and our right wing is damaged by the winds of discontent
we are mugged and gut-shot and rarely adept
we are muddled
we are mixed and matched and morose at best
we are bandwagon hoppers and mundane hooligans and hopscotch champions
we are as bored as statues
we are aching to be entertained
we are stranded and bled dry
we are kind of absurd
we are lucky to be alive

so he is talking and he is saying things I don’t know things like this next piece I shall be reading to you entitled Maximum Entropy is a piece I originally wrote on a napkin at a bar called Puddy’s Place after having had six martinis and then he reads this aloud to the crowd:
not part of the solution we are somebody else’s problem
up in the air
cut it out kids just cut it out why don’t you why can’t you just cut it the fuck out kids
made up out of thinness and water
came back on through all the way around again to be where we were going
came out just like this
so how is it out there lacking the figuring out and the ways of suppose
the area is fraught with powers that are hungry
which who am I
never telling
you
a thing
that will make a disturbance
in the calm of understand
chuck the difference
the end is just beginning

This guy calls on the phone. The phone is always ringing. It’s in its nature to ring. It’s what a phone does. This guy says hello this is Steve and he says I work for Straminium Consorted Alarum Freight & Lumber and he says I heard you were having a little trouble with a business transaction for the account numbered, let’s see, oh yes, #voicesleakinginasadcafe, and he says I would just like you to know that I can help you out of your situation there so what do you think? and he says I could make it worth your while, you see our business here, this company, well, we have just what you need to make things happen for you, to make your whole world a better place, and he says but first we are going to need a few things, and asks can you hear me okay? Am I coming through? And he says good and so now first I’m going to need your social security number and your date of birth and your last three addresses and the names of your first and second cousins and your workplace ID badge number and a copy of your last tax return documents and the deed to your house signed by you in all of the right places of course and all of your paper receipts from, let’s see here, ahem, that would be the year nineteen hundred and seventy seven and the name of your pet donkey that you had back in the fifth grade, and he says I assure you all of this information is not only necessary and very pertinent to your situation but will be kept strictly confidential and not shared with anyone whom you know or do not know except those whom you don’t tell us not to tell which could include all persons here on this big old bubble of a planet we all call home oh yes oh yeah can you dig dig dig dig it?

she says a quick prayer and makes the sign of the cross every time she goes through a yellow light
he doesn’t look half-bad for a suicide
some sort of compensation for missing that ten-foot jumper at the buzzer
meeting people in the ocean
unwanted gifts
and a circus parade in Baraboo
these things are simple to understand
but the compensation for putting up with television
is rarely ever much of a payoff
she hides her bus pass in her boot
he makes methamphetamine out of Sudafed and hairspray in the garret
there are rarely opportunities to answer questions when they’re asked
tea is served at four
she used to be a genius
he had a great left hook
nobody compares grapefruit to cotton candy
gas masks at dusk
low-calorie love notes passed in the dark
paper-flower cartels wreaking havoc on the moon
middle infielders who drink too much and fall in love with girls
she makes Marlboro sandwiches and smokes refried beans for lunch
he tells the time by the freckles on his wrist
the phones have all lost their cords

there was a smell of rain in the air and the buildings all looked like tombstones while the wind kicked and the streetlights shivered and the buses all shot exhaust up into a tarry sky feathered with clouds where the moon was bursting its britches and the tug boats tooted and a bishop fell down the stairs and the streetsweepers fled to the country but the swans just sat around smoking cigars at the race track waiting for a horse named PS Burton to show

Capricorn One. Come in. Are you there? How do you know that you are really you? Capricorn One. This is Houston. We’ve lost your signal. Are you there? Are you going to start saying things like mayday and red alert and shit we are fucked here we are really fucked and we are burning up upon reentry because our heat shield has separated and open the pod bay doors HAL? Come in. Earth to Capricorn One. This is Houston. Are you there? Are you even listening? Can you hear any of this? Please. Answer. Anything. Tell me about the Navier-Stokes equations. Tell me what a Magnetoplasmadynamic thruster is. What are the names of your children? Who invented ice cream? What the hell is going on out there? Please. Come in. Say breaker breaker or something. We’ve lost your signal Capricorn One. You do not exist as far as our computers are concerned. You are no longer you. You are no longer Capricorn One. I am no longer myself. Where does that leave us? Come in. Please come in. I know this must seem desperate. Capricorn One. Are you out there? Can you hear me? Can you hear anything? Can you…hello?

hello

Wednesday, March 25, 2009

bragging for humanity

scratched just plucky
like that we move
a sure thing with a bum leg
spilling over and out
partly fun and funny in parts
compromises that aren’t so great
a cloche hat and a slim smile
bent and bit off and chewing
pressed along the seams
poured from the pint glass
ground up and spit back and picked off and pinned to the wall
fortune hunting
a pitch to sell the world
lashing up in a bloom of sparks
an airy place to stall in
kind of jumpy
but alive
skimming the pith
bored and chary
a face carved in a rutabaga
a lost cause


Saturday, March 21, 2009

Munch



cool traces of places bluing my eyes like sky
craning neck and voice raised and finger cocked
headstrong but not valiant
deeply still waters rigged to run by smoothening looks
slick and sickly
a phase I’m going through
a turn I’m taking
a way I’m not going to go
chances left
being handed out like Monopoly money
handed over
sturdy planks of memories shoring up the day-to-day
my paint brushed on everyday things
like blood and tongues of fire
then it’s
a meal ticket and I’m hunkering down to hide my hunger
a skeleton arm and I’m a Dandelion’s cousin
a pyrite idea and I’m shouldering the burden of thoughtlessness
fishing with shoelaces
preaching sadness
an olive pit wrenched from the gut of disaster
skirting about the periphery
lamely disabused of whatever notions I once kept
of what I once was
of what I am now
of what I know
I’ll never get around
to being
the window is closed and I am screaming inside

Friday, March 20, 2009

bullying

precious was he, wasn’t he, that little shit, snot-nosed doesn’t even begin to describe him, or if not, maybe, then, well, asshole, that might work, string bean too, that’s right, skinny as a peeled piece of string cheese, a real lightweight, a featherweight, a glass-jawed, knobby-kneed, sunken-chested scarecrow, just a little pipsqueak son-of-a-bitch, but he meant what he said, I guess, yeah, I guess that is true, and if he pushes you just push back, just push back, when he pushes you, just start a fight, yeah, just by pushing back, push him down on his ass, push his ass back, back, back, and down into the gutter, if you can, then do it, push him back when he pushes you, it’s not so hard, to push that scrawny kid down, that gangly little shit, push him down and don’t ever let him back up, that precious no-good skin-and-bones dope, push him down when he pushes you and you push him back, and make sure he stays down for good, in the gutter if you can

punching is overrated. intimidation is key. don’t ever back down. get others laughing. get others on your side. grab hair if you have to. pulling hair is effective. hawk lugies. stand tall. make a fist. talk loud. cuss. make fun. wait until you see the piss run down the pant leg. then all will be okay. everyone will like you then.

come here kid. come here. be little. be small. be a snot rag. come here kid. your underwear will soon be over your head.


*

With wavering steps does fickle fortune stray,
Nowhere she finds a firm and fixed abode;
But now all smiles, and now again all frowns,
She’s constant only in inconstancy.

*

bitter. alone. liked by none. drooling a little. sitting alone at lunch table. tapping out gibberish Morse code on hard blue plastic. neglected. absurd. spitting Lunchables cracker crumbs on asphalt. no more spinning on BMX in mid-air. no more Ollying up on planters. no more crowds of adoring girls. no more leading gangs of kids around at recess. no more hangings. head in hands. hunched over. panting. not doing well.

stunted at best, come on, you can put up with it, t-shirt stranglings, things like that, you know, come now, it is pretty fantastic to think any differently, uncomfortable and awkward at best, face smashed against the bathroom tiles, cheek slapped with cold, with wet slime and scum, also the echoing of threats, of squealing whines, shoes in the toilet, life lessons learned, urinal-cake ammonia in the nose, piss-wet hair, belt-whipped, arms sliced with scissors, nuggied and Indian-burned, all that, come on, it’s alright, buck up, hold on, and please don’t forget to wake up when they break into your home

I don’t want (contusions and blunt head trauma) to walk without you baby walk (broken arm) without my arms around you baby I thought (cerebral hemorrhage) the day you left me behind (glasses snapped in two) I’d take a stroll and get you right off my mind (ruptured eardrum) but now I find that I don’t want to walk (bleb-wen-papule-like nodules and scars on legs) without the sunshine why’d you (nausea, vertigo, dysphagia, cyclic vomiting) have to turn off all that sunshine (abrasions on arms and wrists) oh baby please come back or (black eyes, scalp lacerations, tenderness of the vertebrae) you’ll break my heart for me cause (double vision, hearing loss, bruised nasal septum) I don’t want to walk without you no siree

Monday, March 9, 2009

the buddhist at the back of the bus

so how is your air
back there

while above
jets streak stuck
in a rut
across the sky’s skin
kindling kinetic melodies

bald without a head to hold hair
a breath
a slurry of slapstick and bone
to be conked by a conquering rod
selflessly staring at nothing but emptiness

come to
to this

an ophidian slither in the
now happening sliver of here
snapping fingers
guessing at the time of day

it is never always
it is always just never

and we find snails in the ruts of the stepwell

be off guard
to sink into the gist of it
just in case of a smile

be all and one of none
together gathering the lone lotus
not standing upon words

to be agile
in the slide of seat underneath
gazing at a callus of stuck-gum on the seatback
hooded in a brown robe
grinning under wire-rimmed glasses

a moment
in the felt-penned graffiti on the windows
the music escaping from headphones
a finger slightly lifted

something
not there at all

eternity

Thursday, March 5, 2009

Quintessence

with the pith of her
scooped out from her chest
like ice cream
and a shoddy vestibular system
quaking her legs and dizzying her head
she dreamed of wax ears and bits of snowflake trapped in her fingernails
and Wittgenstein saying,
“One is unable to notice something because it is always before one’s eyes.”

we have
knowledge-that and knowledge-how
we have calendar pages and cycles of the moon
we have propioception and smelling salts
we have Antarctica and American Idol
we have locks on our doors
we have nothing
and Sacks speaks of, “an uttering forth of one’s whole meaning with one’s whole being.”

getting carried away on the tide of aporia
swept up into the leavening of things
a lottery gambler
a mixed message machine
clubbed and busted and ruined
a piña colada if you like piña coladas
if that’s what floats the proverbial boat

like using expressive speech with an aphasiac
like using evocative speech with a tonal agnosiac
nothing is the only thing that is understood
with the ocellus of a white-knuckled soul
eat more raisins

in the deep end you depend on believing in the shallow end
it acts as a balance to the weight of your stability
from feeling too well or not ill enough
dully poised and dutifully on edge
Lish whispers, “The aphonia of matrimony.”

Nanci sings, “I am a backseat driver from America.”

It’s trouble under the blankets
It’s cradling the cruelest parts
It’s moldering under the heat lamps
It’s wearing sunglasses in the dark all alone in a room spinning around until dizziness and euphoria come
It’s the mildew clinging to the shower curtain
It’s it
isn’t it?

music pulling pushed to through
with a thrumming clutch
tied knotlessly to relentless boards
curiosity notwithstanding
long enough for a commercial break

Nietzsche moans, “Only great pain is the ultimate liberator of the spirit.”

dressed in modalities of dispersion’s lost motion
still toasting during the worst of times
while barnacles of despair aggrandize
baseball players still wear hats to work
and the bicycle riders pedal
there are weekly moments of peace kinked into the bight of night’s rope
to be had while delivering the garbage cans to the curb
to be felt but not seen
a chance
to be alone and without a narrative
to be not oneself at all
a mistake in the fabric of unexamined things
while living a carefully over-examined life

children laugh their way up the sidewalk
a dog’s bark sparks a thorny appeal
leafless trees lose their shadows
a fly sneezes
cobwebs stitch the dusty shelves
newspapers lose their newsprint and go kaput
and a little violin music drifts from an open window

Nebuchadrezzar kvetches, “There ain’t no such thing as a free lunch.”

We all draw straws

Wednesday, February 25, 2009

who what where when why

the rain like a mist was falling through the headlights of the pickup truck that had crashed into the mid-sized sedan in the middle of the intersection at Sutter and Kearney and the cop cars were parked all around and the cops were talking to the driver of the sedan who was still sitting in the driver’s seat where he was when the pickup truck came and walloped into the passenger’s side when the light had obviously been red for the pickup but it was raining and that explained things maybe and the back of the pickup was all loaded up with broken-down and flattened cardboard boxes that were stacked up way above the cab and were tied down with ropes and this giant stack of cardboard boxes was really sagging and leaning and it seemed like they were about to tip over to come crashing down into the rain-wet street where they’d turn into some kind of brown mash or mush like oatmeal and it would be a big mess not that the two vehicles blocking up the intersection weren’t some kind of big mess all wrecked and taking up space and not letting much traffic by so that even the 45-Stockton bus had to almost go on two wheels and up on the curb almost seeming to cringe and wheezing some too as it went by and the cops were all standing around and getting wet in the rain and there was glass all over the street there by the sedan from the broken window were the pickup had slammed into it and the pickup’s front bumper was caved in with the license plate hanging on by a thread and the driver of the pickup was nowhere in sight and the pickup was just sitting there looking sad with the rain falling in its headlights and a few rubberneckers were ogling it all from the street corners and probably watching the rain fall too as it was a hard thing to miss and was really starting to come down as the cops pulled the driver of the sedan from his car and put him on a gurney and the onlookers all held their breath because the guy was on a gurney and that seemed bad but there was no ambulance so it was strange and a rather hefty fellow in a velour jacket who was holding a very capacious umbrella asked what the hell they were going to do with the poor bastard shit it couldn’t be that bad if there ain’t even an ambulance around to take him away so what the hell and where the fuck did they get that gurney from there’s no way it could fit in one of them cop cars but then another gentleman who seemed a bit tipsy and was smoking a cigarette quipped maybe it’s one of them fold-up gurneys that you can like fold into a tiny little package that’d fit right in the trunk and the rotund man laughed and said yeah maybe that’s it and then they both laughed some more and walked away down the street away from the scene of the accident and by then the rain was really starting to come down and people were starting to run and duck for cover under bus shelters and under awnings and the overhanging cornices of large buildings trying not to get soaked and the cops were getting back in their cop cars and the somehow the guy on the gurney got wheeled away and a tow trucked pulled up with the tow truck driver darting around and getting pummeled by the downpour that was turning into quite the deluge by this point and the gutters were really flowing fast and filling up and the rain was splashing all over and crashing on top of the two crashed cars and it was getting harder to see what was going on and most everyone had left except for this tow truck driver who had a yellow raincoat on and who was hunched over and trying to get chains around the sedan’s undersides so he could hoist it up on the back of the tow truck and he didn’t seem to be at all pleased about any of it while the cops sat in their cops cars which were surrounding the accident sight and also almost completely blocking traffic in three directions and a lot of people driving were starting to honk their horns as it became increasingly difficult to see what the hell was going on because of the rain and because it was such slow going getting through the intersection but as the cars kept inching their way around things the drivers would slow down even more to try to catch a glimpse of the two ruined vehicles and all of that cardboard getting sopping wet and falling apart in the back of the pickup in that immense stack that kept leaning farther and farther over the side but not falling because it was still being held in by the ropes but not for long with all the rain coming down like that and the gutters were overflowing and the rain looked beautiful coming down in the headlights of the pickup truck.

Monday, February 23, 2009

Amphiboly of Concepts of Reflection

We were being careful. Not too careful, you see. Just careful enough to care. That’s about all. So, we were being careful, watching things, you see, you know, watching stuff happen, just in this careful way, just a hint you’d say if you were talking about a recipe for something, or no, how something tastes is more like it, yes, that’s it. So, yes, just a hint of careful. Not carefully hinting at something, no, you see? No. That’s not it. We were being careful. Careful damn it. That’s all. And the radio was playing. It was a song I knew. Nobody else knew it. It was a song, you know, that came on the radio a lot then. It wasn’t a good song, but a song you’d know if you heard it, though maybe you wouldn’t know the name, you’d know the song, you know? The radio was playing this song, this song I knew but didn’t know the name of, yes, this song that was playing and making me think certain things, certain peculiar things, you know like the things you think when you’re alone and you’re listening to a song that you know but that you don’t know the name of, and it’s not so good of a song, but you know it, and we were being careful, you know, real careful. I’m thinking those peculiar thoughts, and I’m being careful, and that song is playing, and I’m starting to want to sing along with the song, but I’m being so careful, you know, that I can’t really allow myself to start doing something like start singing along with a song that I know but don’t know the name of. There isn’t too much room for error. Not in a situation like this. No. There is not. That’s why we were being careful. That’s about all.

Shoot them in the toes.
Laughter is mostly authentic.

Halfway to the end. Almost there, but not there yet. Being somewhere is always better than being nowhere. No matter how careful you are, you know, you’ll always make the same mistakes. Okay, maybe not the same ones, not all the time, but sometimes you will make the same mistakes, mistakenly of course, but it could be, you know, that you might make them on purpose sometimes too, subconsciously of course. Well, maybe not “of course.” It just might be that sometimes it is on purpose that you might make the same mistakes twice, or more than twice too, without it being something that you’d have to assume would have to be done merely for some subconscious reason. But still, you know, mistakes happen. Accidents happen. Halfway isn’t close enough. Almost isn’t close enough. Being somewhere is never being nowhere, not even sometimes. No. Somewhere is somewhere, and nowhere is, well, nothing.

When we were being careful, and that song came on that I didn’t know the name of but that I knew the sound of, well, that was when I started thinking those peculiar thoughts. Like a thought about how “that” and “that” can sound different but look the same and sometimes when you read the word “that” you say the word “that” in your head, or rather the little voice in your head does, if a voice can be little, and it says, that voice that is very familiar to you, but that is not quite your own voice, that voice says “that” so that it sounds like “that” and it changes the whole meaning of what you are reading. It is a problem that there is no real help for. That there is no help for that is well known. Music might help. If you could read in music instead of words. But you can’t. Spelling “that” with an “e” so it looks like “thet” might help. But “thet” is not a word. So, I was being careful and thinking these types of peculiar things like that, that that is sometimes just that, that is, that’s that.

Being careful is not easy. Being careful is pretty damn hard when the radio is playing a song you can’t name but you can sing along with. A song that is familiar. A song that is making you think some pretty peculiar thoughts. And we were being as careful as we could. Our actions were flavored with a hint of careful. I found myself really wanting to sing this song that I didn’t know the name of, but I wouldn’t let myself sing because of how careful we were being. If something were to move, even make the slightest motion, like even say a rabbit shifting its paws around in the dirt, not that that would have happened there. No. Not like that. Not that. Not there. Not while we were being so careful. Okay. Maybe just a hint of careful, but careful enough, okay? No. There were not any rabbits around. There was no dirt. But, you know, just the slightest thing moving would have given us away. Okay. Say like me rubbing my nose. Scratching at an itch at the bottom of my nose, by the nostrils, where my nose often itches, that would be enough to give us away. Not like giving somebody away at a wedding. No. That would be different from this kind of giving away. Giving ourselves away by scratching at my nose was not something that I wanted to even think about. Not scratching my nose, but giving ourselves away that is. That is not what I wanted to think about. Though I didn’t want to think about scratching the itch on my nose either, because that would have definitely made it harder not to scratch my nose. Like, you know, when you think about doing something so much that it becomes hard not to do it. And the more you think about not doing the thing, like scratching an itch, the more you can’t resist doing it. Not doing the thing becomes harder and harder the more you try to think about not doing it, or think about doing it, you know, imagining yourself doing it, and then trying to not scratch, to not scratch that damn itch, that tingling feeling on the end of your nose, right by your nostrils, what some fancy people call nares, and the itching gets worse the more you don’t scratch. That’s what was happening to me when we were being careful and the radio was playing that song that I didn’t know the name of but that I wanted to sing along with. Singing along with the song was getting pretty hard to not do too. I wanted to sing the song that was playing on the radio, and I wanted to scratch my nose. Those two things were becoming more and more all I could think about. On top of that, I was also, you know, we were, being careful. Just a hint.

A casting call for the botched and bored and disenfranchised, the lonely and misanthropic, the misunderstood, the lame, the disillusioned, the carefree and whimsical and lost, the hardworking and moneyless, the custard walkers, the visionaries, the fearless, the brain-damaged, the dissidents and the immature and the grommet makers and the oglers and the hard-hearted and the bedwetters and the marooned and the sightseers and the jugglers and the bicycle riders and the spies and the careful.

So you get to be so careful, real careful you see, and we were being this kind of careful, all kinds of careful now, you see, really not as careful as we could have been, probably, but we were being pretty careful, probably more than just a hint of careful now, and I wasn’t scratching the itch on my nose, the itch in my nostrils, and I wasn’t singing the song I didn’t know the name of, the song I knew how to sing, I knew the words to the song, but we were being careful and I couldn’t sing and I couldn’t scratch an itch on my nose, and if any of us had made a move we would have been giving ourselves away, and I couldn’t stop thinking about scratching my nose, and the radio was playing that song, you know, and we were standing there being careful and just watching things happen, watching stuff, watching what happens when you stand there being careful, just stand there not moving, not even scratching your nose, not even making any motion at all, not singing, trying to not even breathe, trying, but, you know, you have to breathe, so just trying to do it without making any noise, you know, even though the radio was playing, but that radio was just playing in my head, don’t ask my how I figured this out, but I was being careful standing there and it just occurred to me that only I could hear that song playing on the radio, that song that I didn’t know the name of, and that I didn’t know the name of it because it didn’t have a name, it was just a song that maybe didn’t even exist except in place in my head where it played on the radio that was inside of my head also.

We were being so careful. So very careful. So careful that we didn’t forget to hammer in the nails. We hammered in the nails. The nails made noise when the hammer hit them. Where the hammer hit them on the head they made noise. The hammer made noise when it hit the tops of the nails. The hammers hit the nails on the head where the noise they made was made. We hammered the nails into the boards with the hammers that made noise where they hit the nails on their heads. All of our hammering of the nails made noise when we hammered the nails into the boards. The boards we hammered the nails into with the hammers were filled with nails in the end because of our hammering. We were being careful with our hammering. So careful. So very careful. It was pretty hard to be that careful while we were hammering. But we were. We were very careful.

Being cheerful is sometimes even harder than being careful.

A lot of noise we were making with our hammering. A lot of noise so it was hard to be careful about not giving ourselves away. We were hammering and making all that noise and it no longer seemed possible to not give ourselves away. I started singing. Nobody knew the song I was singing except for me. I knew the song I was singing because I heard it playing on the radio in my head. It was playing the whole time we were being careful about not giving ourselves away. I couldn’t resist the urge to sing the song anymore. The song didn’t have a name. I sang the song loud now. The song gave me away. The song wasn’t a song that anybody else could sing. I was singing the song alone. There was no we. I was alone. We were not hammering. We were not being careful. I was singing. I was hammering. I was alone. I was no longer being careful. I scratched the itch on my nose. I gave myself away. That was that.

Thursday, February 19, 2009

Made For TV Movie (Part III)

(a short advertisement)


We’ve got padlocks and booby traps and bow-legged ballerinas and cupcakes and bullhorns and masquerades and chasers and last place finishers and brown outs and grand old dilapidated mansions and crows and ewers and retreating armies and lockjaw and rose petals and Esperanto and closed umbrellas and graveyards and cops and creature comforts and Big League Chew and compromises and Lois Lane and movie popcorn and relay teams and bereavement and copouts and mutual exclusiveness and upbringing and wanted dead or alive and curses and clubs and crowbars and cowcatchers and God All Mighty and complaints and muster and musicals and folk lore and urbanity and cats who talk and cover bands. And everything must go.


...and now back to our feature presentation

the cue card reads, “Ra Ra Ra!”
the umbrellas dance in the sun
nothing changes
time goes by

the cue card reads, “Say the name ‘Phillip’ over and over again until your mind goes numb and then just react.”
the people make small talk
nothing changes
time goes by

the cue card reads, “Queue up.”
the horses plead the fifth
nothing changes
time goes by

the cue card reads, “Less is more than more than a little.”
the dogcatchers go for a swim
nothing changes
time goes by

the cue card reads, “Impersonate a James Dean impersonator while doing a James Dean impersonation.”
the dancers swoon and glance skyward
nothing changes
times goes by

the cue card reads, “Laugh more. Lie less.”
the beer-drinking clowns lose their smiles
nothing changes
times goes by

the cue card reads, “When you’ve got to go, you’ve got to go.”
the bathrooms and cemeteries are full
nothing changes
time goes by

the cue card reads, “X and Y were the best of friends until Z came along with an IOU.”
the curtains rise
nothing changes

the cue card reads, “Do something useful: nothing.”
the meadowlarks sing

the cue card reads, “Cue the mood music and the spotlight for a grand finale.”

the cue card reads, “The End.”

Wednesday, February 11, 2009

The Sorrows Of Eliezer Mission

I am not liked by members of the PTA
Young children do not smile at me
I scream out of windows at 3 a.m.
Trying to encourage the hookers on the corner to keep their voices down
Out there where the drunks howl and the buses blast by
A violin plays from an open window across the street

In here it is only cold
And I can never sleep

I am not kind and generous to all comers
People sometimes scowl at me in disgust
When I scuffle by with my six-pack of beer under my arm
My tattered and well-stained pants falling off my hips
Shirt riding up over my belly like a curtain drawing over a hairy white mound
But I give readily to strangers and hoodlums and junkies and bums
Any change that’s rattling around in my pockets
Hey
I leave a good tip when I can
Ask any bartender or cabbie or pizza delivery guy

The nights around here are never my friends
I look out my window and wait
For the windshield wipers on the cars going by to stop wiping
So I can go outside and not get wet

I am not on any committees
I do not sit on any councils of anything
There are no foundations started in my honor
I do not make donations to all worthy causes
I try to do my part to make this place a little better
But mostly I just sit around and throw golf balls at my walls

I am not liked by my neighbors
They don’t wave and say hi to me in the hall
Sometimes one of them will knock loudly on my door
If I am being too loud late at night
I apologize and turn my radio down
But there is nowhere for me to run to anymore

I am not a bad person
But it is becoming increasingly difficult
To imagine myself as good

Tuesday, February 10, 2009

Made For TV Movie (Part II)

(Fade in. Bleak landscape. A few radios scattered around. Fade out. Fade in again, but not too close.)

Where does weight go when you lose it?
Skies like this, all shredded up with the meandering oxbow and peanut shapes of clouds, affect people’s moods. They tend to think about things differently, including the life they are living, their daily commute, pinwheels, monster truck shows, and the aerials on their cars.
Taxi drivers are strangers until you get into their cab, trusting them with things like your life. Tipping them well is probably a good idea.

(Close up of a man wearing sweat pants and a tank top. His hands are on his knees, and he is huffing and puffing, and his tongue is hanging out a bit, and he is shaking his head back and forth, and he is winded, and he is tired, and he is not running up any more hills anymore today. Pull back slowly. The man is not going anywhere just at the moment. Circle the camera around him, slowly at first, as he continues breathing heavily with his hands on his knees. Circle faster.)

When shyness is overcome, what happens to it?
Humans are just slabs of meat running around feeling things. Some of them have carpal tunnel syndrome which sends shooting pains down their arms and also sometimes makes their fingers tingle.
Out in the street it is cold. The wind is blowing hard. It has just rained. Rainwater still stains the street in puddles that reflect a little moonlight there too. Not much is happening. Out in the street it is cold.

A voice speaking from the radio: “The tree outside my window, its yellowing leaves flouncing around like golden drooping wings, was all strung up with x-mas lights, which coiled around its trunk and spread like stars through its branches. I looked at it out there. It wasn’t making me feel good. I looked at it again. I looked over and over again. I looked through the darkened pane of my window.”

(These words come up, flashing like subtitles in white on the bottom of the screen: “Everything was wrong. It was all a mistake. I am ordinary. I only take showers when it rains. I flush the toilet too, sometimes. I am not a good person. I keep forgetting how to live properly.”)

The television set can be vile enemy and a toothsome friend. It enchants and distracts one from the task at hand. It can make one say things like, “I have illusions that I try to make real to other people. They call me delusional. I’m a product of the mass media. It’s nothing to be proud of. Just the way it is.”

(Tilt camera on an angle, slowly tilting it over farther until it is sideways.)

When the streets are still a little wet after it rains, and the air still smells that way that it does after it rains, that scent of saturated pavement, that whiff of rain-soaked asphalt that makes you think of cool fall days when all the sidewalk’s trees’ leaves are gold and red and yellow, and there is green all over the place—a blinding, indomitable green that brings comfort to the way the wind blows—then, and only then, is one vulnerable to the vagaries and vicissitudes of the world.

(Quick cut to an empty stage where a play is about to be performed.)

Act II Scene ii
(A small dirty apartment, the kind of place with dust all over everything and stains all over the carpet and a perpetual pile of dirty dishes in the sink or on the counter top next to the sink. Three bay windows at one end let in some light through the blinds, but one of the windows is covered with a dark blanket which is nailed up at the corners above the pane. There is a television set that doesn’t work in one corner, old books cover most of the floor space, and the rotting husk of a former chair sits by the windows. It is ripped up and badly stained. The walls are bare except for a painting of a clown which is leaning against the wall on top of a bookcase in the corner. There are three book cases along the walls that are all in various stages of decay: paint peeling, warped wood, jam-packed tight with books, one almost buckling under the weight of the many books stacked on top of it. A bare mattress lies on the floor in the middle of the room. A silver art-deco style lamp illuminates the room poorly. On the floor is an old typewriter with ink-stained keys and a worn ribbon. A plastic yellow ashtray is filled with cigarette butts. The door to the small bathroom is closed.)

(A dirge of violin and piano music plays in the empty room as a disembodied voice speaks.)

The voice says: “The pink flowers on the small tree outside my window were starting to die and lose their petals to the wind. I hadn’t had anything to eat in three days. My eyes were sore because I hadn’t slept very well the night before. People outside my window looked like beetles or narwhals or cigarette butts smashed in the rain. For a while I’d been talking to myself and pacing back and forth across the dirty floor of my apartment. I spit at the windows and saw snails there crawling on the glass, leaving trails just like my mucus running down the pane in a slimy line. My overcoat was torn, ragged at the sleeves, and my socks had holes in the toes. The radio was playing opera. I was laughing a lot. Once in a while a car would roll by on the street below and I would think, there, there is another thing happening in the world, another person alive who is doing something, making something happen. Time does exist. But these were just empty thoughts. I knew that they didn’t mean anything to anyone besides myself. A dog would bark and I would jump high into the air. A small child would cry through the thin plaster walls and I would dive onto my mattress and roll and thrash about on it. The world was going around as it was supposed to be, and I was there on it going around too.”

(The camera pans across the stage slowly. It then focuses on a disheveled old man who has walked onto the stage. The camera follows him as he walks around in circles on the stage.)

The man says: “The world needs its expendable masses, people like me, to do the thankless, mundane tasks, to serve those who would rather not do such things, those who have wealth and power and take things for granted, who feel entitled to live their lives with a certain amount of unnecessary luxury and comfort. We clean the toilets and the gutters, cut the trees that majestically line the sidewalks, tear tickets into stubs, have staring matches with windows, and fall out of the back of pickup trucks. Sometimes we cry.”