I
used to know a guy who’d go to bars and get smashed while doing crossword
puzzles. A dangerous man. Not somebody to be trifled with. He married rich,
this guy. Yep. Singing Baby Please Don’t Go all the way past the bank and then
some. He was treating the mild case of blues he had with gulps of beer. It’s a
common occurrence around these pieces. We go in for the easy answer most times.
You see, the sky is both cloudy and gray. Place me in the blame. Please. It is
all crowded and disassembled. We treat the parishioners as pie slices. It’s
nothing to sprain your ankle over or anything, but come on.
Go
back to Kentucky with your hollow leg and your glass soul. Pretending’s in the
grass stains, the elephant beer, the mooching gimmick of a horrifying haircut.
You see, I’ve had this corrupt song in my head for about 14 years now, and all
the whisky in the world won’t shut it off. Plus, I’m getting quite sick of full
moons. Tear the head off a few violets and shove ‘em down the trash compactor.
That’ll do. If I were to say, “I almost hope for such things,” aloud, that’d
change a few tires that didn’t need changing in the first. But hell, it’s not
the end of the known either way. I go about it straw-hatted, if it matters to
the crows, and then pour melted nickels over my past. It’ll have a brindled
tint to it, damn it, if I’ve got any say-so in the matter.
I
lead a troubled life here in apartment 101. Troubled sleep. Troubled awake. It
gets bad and it gets worse. Death marches on. I pull the drapes. I run the tap.
The weather dines on marvelous insects while I eat cold soup. A dash of civil
unrest tips the noise of vacuums going all through the night in my direction.
Bad at cordoning off trouble, the shapes I make of myself disinter the plucked
from the rotten holes weariness has been stowing away in. Sentences go and go
and run on and, finally, off.
An
old man with two canes hobbles the sidewalks. Rubbing amber with fur, still,
the world of things attracts and repels. Stalwart and robust, boxy, wiry,
and cloistered with the twisted remains of who he could’ve been, writhing arms
and flailing legs and all, still armed with a temper that’d punch out any
takers in a pinch. Flare and fall, get what’s never coming back. Harmonized to
agonizing truths. The hill is always steep, and it’s always there to climb and
climb.
I
got a letter in the mail today:
“Dear
Sir - Two review readers have now read NEVER DRIVE A CAR... and have given us
their comments. I am sorry to
report that no consensus was reached to accept the story in its current
form. For your reference, both
readers thought the dense prose style was interesting, but both also had
problems with coherence, i.e., neither understood the story or what it was
about.
“We
would be interested to see more of your work, and look forward to hearing more
from you in the future.”
It
was interesting that this particular myopic beast found it in his best interest
to include a we’d-like-to-hear-more-from-you-type-line to his note. The last
person I’d like to hear more from was this person. I resigned myself to cold
meals and cheap beer for a while.
A
couple waits for a tow truck to arrive. Everything stinks of mold and Lysol.
Crows attack the lonely. There are unmistakable mistakes in the drive shaft of
their lives. A call never made too late at night to believe in anymore. Reruns
and mashed potatoes. Tears that aren’t ever given a chance to fall at all. It’s
broke, and the fix is in. The samba’s all that’s left to do.
A
tire iron for your thoughts. Seeped in agonizing-- a jackscrew in the meadow; a
gantry crane in the mist. A higher pitch, almost a supersonic twinge of
electromagnetic shriek gone squeaking to a jarring 45-RPM rendition of Bikini Girls
With Machine Guns. There are no warning beeps that’ll keep backing all of this
up. It is until sunup, now. It’s the lean against the car’s hood with a dented
grace. It’s in the lug nuts and the shredded interior and the cracked rearview
and the dented license plate hanging on by a slight edge on the corner, by a
miracle of enigmatics. A popped hood, then propped up with a raised arm. A
flathead shoved below the wiper fluid. Scratched prayers, and a bottle of
shame. Get a jumper cable and clamp it close to the heart. There’ll be more
nails in the road up ahead for sure-- shiny though, almost like the gleam of
puddles in potholes after it rains. A clearcut in the sky; clouds like
scaffolding holding up the remnants of yesterday’s window-washer estate. The
shocks are a goner. A dram of confidence sweeps some dust from the shoulders of
it. A subtle click and twist in the guts of the thing, and it’s low time in
Humbletown.
So
the story’s titled, for now, “How A 99-Cent Walgreens Toothbrush Saved My
Life.” The window’s a fishtank. An ounce of courage douses a pound of pain. And
then it comes down to: it’s not where you are; it’s who you are. Yard sales for
sale. A car for your garage. If you listen to it roar and rumble in the spoiled
timbre of the heart’s once-again, you’ll hear what you’d never want, if you
could, still. Playing pool with a #2 pencil. A five-point driver’s cap on and a
blessed wreck in the guts. A real classic recidivist American character coming
at you all hugs and “pals” with a goodtime up his sleeve and a boiled artichoke
in his soul and Pinetop Perkins on the box. Let me tell you something. When
you’re out there befriending coroners and pocketbook thieves, it’s fried
pork-chop charm, and it’s oh-shit-well-there-goes-another-stinker-out-to-breakfast.
A private time in a public place. Very well, then. Let me tell you something.
Enough with flinching every time you hear her name. There’s a draft in that
special place where you keep your most valuable contemplations, and the cringing
in your every step is lost in the shellac of inclement moments. Where’s the
strop for it? Rusted, dreaming of boiled piranhas and spray-painted turtle
shells, coiled to never strike in reparations. It bodes irascible tides from
dull watery eyes. Spit at the mirror. Chances kaput. It’s a loaner. It all is.
Just passing through.
Another
letter in the mail: “Thanks for giving us the opportunity to read your work.
Unfortunately ‘Pissing Down The World’s Back’ is not for us. Best of luck
placing it elsewhere.”
Times
drag and fade and get speeding tickets too. Every moment’s eon that passes
snags the reigns from harder hearts than mine, and it all heaves on away,
crapping on the flowers in chicken-wire gardens. And the old man is pouring out
his too, a real belter: “She gone.
She done me wrong. You’re right. I’m left all alone. And she gone.” So, you end
up buying your clothes down at Lansky Brothers, and The King’s gone out for an
early supper and he ain’t ever coming back. You skid down the road some, maybe
end up in Chicago’s Levee playing Hooverball with the Medicine Ball Cabinet
while your poor mother’s dragged away, convinced that she’s Queen Victoria. And
all the while some guy’s so rich that his children’s playhouse has 3 stories,
and there are stained-glass windows in his horse stables. But you? You’re
sweeping up the stables, a floating-liver groom with a bad case of dyspepsia
and a wet-blanket-at-a-picnic attitude for all comers. Well, then in some other
now you find your ex-wife is dyeing her wedding dress purple, attending barn
raisings and baptisms with a preacher-turned-conman named Sal. It’s a
bucket-of-beers-better-than-a-bucket-of-tears way of being you. No room for the
sound you make. No sound left in your creak. Sad, but properly dressed for the
occasional funeral.
Let
me tell you something. The rust on the hood’s a real doozey to get out.
Salt-water circumstances, actors in undershirts, places not here in the way
they’ve just always been here, a mild episode of detachment followed by less-than-crucial
parts you’ve also never got around to playing. Toasting to the wishes that come
true, even in the route of romantic whims that do more than dash the
sentimentality of music’s hold and sway. Daytime-TV commercials. The poetry of
assholes. It all sums and subtracts what’s left. Let me tell you something. The
outfit sheens the lights off, and we’re married with a hitch and a tug, and we
hurry our hugs and race to the curb, confetti scatters and there is no rice.
The millionaires have all left Denver. A worry’s stain is only the moon.
Unhappier than even any New Year’s would let on. The drivel’s all that gets
through.